This becomes even more true when you’re working with genres like orchestral or big bands. The truth is that between main tracking, dub tracks, scratch tracks, aux tracks, room mics, overhead mics, individual percussion mics, and more, you can easily have hundreds if not thousands of tracks in a project. If you’re an audio production professional, you know that the answer to this question could be “in the hundreds or more”. If you ask the average person how many tracks they think it takes to make a song, they may give you answers like “a few” or “guitar, drums, and a singer.” Pro Tools Handles Large Projects With Ease
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